Friday, March 7, 2008

Choosing Drum Set Cymbals

For a new drummer, choosing the right kit is daunting enough even without thinking about the necessary accoutrements (cymbals, hardware, stool, etc.). This article purports to discuss several things to keep in mind when choosing cymbals explicitly, hardware et al discussions will have to wait! Though there are only basically five types of cymbals per se, they come in all shapes and sizes, not to mention tones and colors (sonically).

The five basic types of cymbals to choose from are ride, high-hat, crash, splash, and china. Besides these five types, there exists an inordinate amount of effects cymbals that provide every metallic, ringing sound a musician could ever dream up or want in his or her sound arsenal. Many musicians believe that when selecting cymbals, you should start with finding the right ride, and then buying other cymbals to complement it. Rides come in sizes varying from 20” to 22” in diameter, and thicker rides can be described as “dark” or “warm” while thinner rides are often heard as “crisp”, even “bright”. A good ride for jazz playing can be described as having a lower, darker sound that shimmers when struck. A darker sound helps allow your ride to blend with the other instruments while also having a distinct tone that can cut, especially when striking the bell. A brighter ride cymbal can be kept as a backup when a brighter, more cutting sound is needed dependent mostly on style and ensemble. The crash should possess a slightly higher pitch than the ride and usually comes in 16” to 20”. These are also offered in thick or thin, with the same rules applying to the sound quality. A thicker crash will have longer sustain and could get in the way of the other instruments’ entrances, while a thinner crash creates a nice “wash” of sound and then trails off, getting out of the way so a nice quality ensemble can be achieved. A good ear should be able to find a nice crash that will compliment the sonic qualities of the ride selected. A good pair of high hats can round out your kit, and will naturally cut through helping provide the rhythm of your ensemble.

Many musicians swear by hand hammered cymbals over ones that are machine cast. All cymbals are made from bronze, so material choice is not an issue. Many beginning drummers find that the pre-assembled sets are a nice way to go, with manufacturers guaranteeing the cymbals are “sonically matched” with each other. The truth is, to find the right cymbals, a drummer should play a lot of cymbals, observing not only the initial “crash” of the attack, but the upper and lower partials of the sound that resonates; a great cymbal sounds pleasing when struck quietly, and that continues to be the best way to observe all the nuances and overtones of the sound produced. Music stores like Austin’s Strait Music Company stock cymbals in all sizes and are happy to hear you while your time away, striking this one and that one, until you zero in on just the right cymbal to complete your kit’s distinctive sound.

About the Author: Clint Strait is a third generation owner and assistant manager of the Strait Music, Austin Music Stores, providing the best selection of drums and cymbals to Austin and the surrounding area for over forty years. For more information please visit www.straitmusic.com.

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